Archive for Raven Nevermore

“For Evermore” by Nuno Teixeira, Intro in Raven Nevermore #1

FORWARD

I feel inclined to write up an summary of what is to follow. It was initially written as a 500 word short story as a fill in page of content for my comic Raven Nevermore #1. It was intended as a “bridge piece” establishing a proper homage to the comic’s obvious inspiration: Edgar Allan Poe’s masterful poem, “The Raven”. The content of the piece wasn’t overtly IN the actual comic but it was definitely floating in my subconscious as the pre-framework that structured the actual 8-issue origin story for its protagonist, Corvan Moore.

The short story was written in a day and then a concept struck me: Why not doing it as an alternate story expansion directly inspired by Poe’s poem? And I meant in every way possible.

What followed was about 3 hours of breaking down “The Raven” into syllable patterns, rhyming sequences, sound repetition and so on. When I thought I had it all, I’d find another structural component in “The Raven” that sent me back to re-work what I’d already written. An example is Poe’s use of the double-syllable equal-sound rhyme schemes, not just single-syllable or definitely not near-rhymes; this proved to be the most difficult thing to work around. Some style elements I picked up on were things like the punctuation Poe ends lines with, or how quotation text NEVER gets quoted at the start of a line, or soft sound repetition with “s” sounds and hard sound repetition with “k” sounds (examples).

That all said, about 24 hours of work across two days, I completed a 9 stanza original “mimic” piece. I won’t claim being anything NEAR the master Poe was as his poem still has many subtle intricacies I’m in no position to become aware of easily (and under pressure to see this done sooner than later). An example of these subtle choices on his end concern his line syllables. I worked out the AVERAGE beats and stuck to it rigidly (16, 15, 16, 15, 15, 7); trust me when I say that over “The Raven’s” 18 stanzas this pattern was PRETTY darn consistent. One at one point did this pattern change to (16, 16, 16, 16, 16, 7) and it blew my mind when it did. Yes, something THAT simple blew my mind. There’s a new level of experience you get out of great pieces of poetry after reading it over a hundred times in the last few weeks (probably close to 50 times in the last 2 days alone).

Anyways, I’m not a poetry analyst, so I apologize that I don’t have the right terms to use concerning its structure. The above is a common man’s geek-out commentary. Onward to the “final draft” of my homage that stands in a quite an important addition to the Raven Nevermore experience now.

Read the Original: Edgar Allan Poe’s, “The Raven”, on Project Gutenerg

FOR EVERMORE

Once upon a time forgotten, lived a scholar misbegotten;
A simple recluse self-absorbed, brooding over books of lore.
In distant lands now forgotten, fraught with chill the fog had brought in,
Heart-broken, forever caught in memories of his Lenore–
To hear her voice, soft and splendid, the voice of his lost Lenore–
To hear speak, and nothing more.

How obsessed this man had become, fearing failure should he succumb
To step on Charon’s boat and leave forlorn souls on misty shore.
Never, said he, “I shall prevail! Do you hear me beyond the Veil?
Bird of shadows, of night’s travail! Totem spirit, I implore–
Raven, send me an avatar; I shan’t fail you, I implore!”
Then silence, and nothing more.

With the proper dedication, and sigils of evocation,
The scholar on his knees did scrawl, a spiral upon the floor;
Ancient phrases he did mumble, raven feathers he did crumble,
To summon bowed low and humble, this ominous bird of yore–
I forfeit food and sleep, said he, “come, ominous bird or yore!”
Then stillness, and nothing more.

His fealty did not falter, his position did not alter;
A sacrifice to establish, with the Totem, a rapport.
Open was his Tome of Raven–death no longer left him craven,
Summon circle made this maven–glyph and soul, a planar door–
Three days and nights ajar, said he, “this body: a planar door–
For the bird named, ‘Nevermore.’”

With these final words, he waited, patient for what he was fated,
Watching the walls, floor, and ceiling of his chamber become no more.
In that short moment, half-dreaming, a raven cawed, thus redeeming,
His deep emotions came streaming from out his bossom for Lenore–
I wish to be your host, said he, “take me to my lost love Lenore!”
Quoth the raven, “Nevermore”.

The scholar stood, lost and confused, for he no ill-intention used–
Why then, Seed of Raven, said he, “echo your name and ignore
The simple request I stated–ancient texts I translated,
All carefully contemplated, all to reach this misty shore!–
To reach the Otherworld border; this Plutonian Shore!–
Take me as host, Nevermore!”

Down flew the raven so vainly, to strut on land so ungainly,
To discuss an agreement for a proposition it bore.
Words it whispered, smooth and sleek all, sealed with the fowl’s fiery call,
Never would the scholar recall the pact made and price in store–
For Lenore, said he, “I’ll accept whatever price is in store–
I’ll be bound to Nevermore.”

Then the Otherworld did shutter, when avatar wings did flutter
As the bird shifted to shadow–to merge with the scholar’s core.
Newly awakened, confounded, finding himself now surrounded
In burnt fields where dead abounded; he thought of his love Lenore–
The Raven Tome still held tightly; he’d now find his love Lenore–
He was bound to Nevermore.

The scholar stared ahead gawking, at a gypsy maiden walking
Past corpses as she looted with eyes on Raven Tome of lore.
He marvelled at her revival–at his lost love’s survival.
I’ve been waiting your arrival, said she, “I’m Bodva Le’Noir.”
Here my love was, Lost One no more–to love my reborn Lenore–
Happily for evermore.

Some More Raven Nevermore Cover Designs

I’m not yet through fooling around with options for the design of Raven Nevermore #1. A couple things came to my thoughts while working on this. The first was that my line scanned in was just too too thick and would have to be re-drawn at a larger scale and more detail added.

Second, my thoughts kept going back to one of my biggest inspiration artists: Dave MacKean. I always loved that he could put a cover together without referring directly to the subject as a figure. That’s always been one of the main goals I wanted to tackle with the Raven Nevermore covers because I make use of so much symbolic stuff threaded into the plot. Non of it is directly ESSENTIAL to the plot, but for those interested in catching the subtle things, it’s filled with treats.

Other artists I can’t get out of my head for different reasons are Ben Templesmith (30 Days of Night, Fell, an others) for his use of layered textures to create backgrounds and convey feelings, mostly those of creepiness and supernatural horror, and Jock (Losers, Scalped, and others) for his very clean, strongly graphic design, covers that always seem to capture a very artistic composition.

Anyways, here’s a few more examples of my cover design process. It’s taken on another layer of importance for me because now I’m focusing on what the look and feel for the entire series should be based on my final result.

Here’s where I focused on just creating a rich background to work with. Total win on those birds as a Photoshop brush… awesome time saver! I ended up liking this quite a bit and may even make a print of it for myself. AS a comic cover, it’d be quiet “unorthodox” I’d imagine… although, sometimes just THINKING that makes me WANT to use it for the very purose of breaking conventions. Alas, that’s another topic entirely…

Here, I zoomed in the figure, cleaned up the edges a bit just to see how it’d sit on the background. It became evident to me that for a final I’d definitely have to work larger and add more detail. I also realized that I’d have to add fuller colours. That’s when it hit me that this direction was not where I wanted to go. I wanted to attempt flatter planes of texture as much as possible for the cover’s direction. I’m not sure I can convey exactly WHY I wanted this… I think in my head it’s connected to the exploration of “layers” within the story itself–on a character level as well as on a plot level (and even symbolic level). In any case… it was time for me to explore more iconographic options.

My first direction was to try something with a bit of “silent eeriness”, something more simple and clean (except for the grunge scratches of course). I used the previous background for the pattern of a crow’s silhouette and kept the new background desaturated.

Aaaaannnddd… this leads to the most current incarnation where I went in the opposite direction and made it darker. This has the strongest appeal to me so far. I like how the layers worked with each other, I like the cityscape on the bottom third representing Cog Town (and even the Watchtower is in there), and I like the sort of “woodcut” look of the crow-man thingy (notice the dark claw?!). I added more bird flocks to the cityscape to add some perspective (even though it’s entirely a flat collage plain), and I added the dead tree and some grunge ink to the raven’s body to break the form up some more.

Will I keep going with these? Perhaps, perhaps. But it may be time for me to explore issue 2′s themes and see if I can create a cohesive visual flow with these!

New Design for the Raven Nevermore #1 Cover

I’ve been playing around with / learning stuff with Photoshop lately. I’ve been taking it pretty serious for the last 2 months in particular. I’m starting to get comfortable enough now that I’m fiddling with mixing traditional methods with digital methods, layering them all up and building up the expressive texture I’m a huge fan of.

The first result of this mix is the cover to Raven Nevermore #1 (or trade). It’s not 100% for sure, but it’s something that’s been on the mind for a very long time.

Currently, Emmanuel Xerx Javier has done a spectacular job with the first 5, but deep down inside I feel this motivation to add something of myself to the book’s style. Hopefully the first 4 issues will be ready for release in Spring 2012! Exciting times ahead!

The First Four Raven Nevermore Covers

Here are the designs for the first four covers to Raven Nevermore. These issues will be printed at about the same time or weeks apart from each other and are setup to be the first half of the tale. Other covers will come later.

The artwork is by the series artist Emmanuel Xerx Javier with the design elements added by me. I’m also excited to have finally given titles for each of the chapters… I’m sure the literary peeps out there will easily discover what the obvious reference is :) . For the non-literary types… think back to an old Simpsons episode about Bart as a raven and you’ve pretty much nailed it!

Raven Nevermore Gets Re-Structured and Lessons are Learned

Over the last three or four weeks I’ve been faced with a personal journey that has taught me a lot about writing, a lot about editing, and a lot about letting stuff go and being okay with changing stuff completely. This post is more personal but the lessons I learned are worth putting out there. Many, as you shall see, are point that you must have heard other authors and creators talk about.

In summary I am writing and producing my own original graphic novel entitled “Raven Nevermore”. The complications came about after completing issue #2. The Editor/Letterer I have on board, Thomas Moore of the Pop Gun anthologies and much much more, made a comment about the abrupt and unfullfilling… ness… of how it resolves the tale thus far. This comment aligned with my personal thoughts about some plot points I planned on bringing up later via flashbacks and such. I also wanted something left a mystery in case I could put a second collection together later on.

What Thomas accomplished then was something greater than just suggesting I expand issue #2 by 6 pages to fill out the ending. I was faced with coming to terms with some much more profound change to the entire production. The bonus to the difficult journey is that I get a new kick ass fight scene focusing on Dante, Corvan’s son–seeing the pages always makes the hardship worth it!

Here is a summary of the lessons learned:

Adding More  Pages

I needed to go back to issue #1 and add pages to set up earlier plot points that would be resolved through the 6-part series instead of left hanging for a possible second collected trade. The fact that I had to go back to material written a year ago became more daunting than I would have imagined. Writing NEW pages, which I thought would be fun and easy, turned out to be much harder to do because it involved thinking about all 6 issues in a complete, closed, fashion. Issue #1 and #2 will now be 28-pages long instead of 22-pages. Issues #3 to #6 will likely go to 28-pages as well now that they will just be collected into one book. Issue #4 has been expanded into issue #5 and the entire origin plot will be fully resolved in issue #6 which deals with the “big bad” that was going to carry through maybe 24 issues.

Change Plot Flow

I needed to change plot flow because I’m removing some flashbacks and executing these scenes in the present timeline which required me to deliver seeds differently, more cautiously, but still drop the seeds required for future payoff later. I had to decide what needed to get introduced faster and ensure I could deliver a payoff. I had about 24-issue summaries planned out. Parts and pieces of those 24 issue summaries are now within the SIX issues. Instead of each issue buffering main plot points between other side-stories with the main/major payoff at issue #24, plot points were all condensed, simplified, and delivered as the final complete trade  payoff.

Production Length and Cost

On the production level, I had to come to terms with the additional 30% financial investment. I committed to expanding the series to 6 issues instead of 4 issues, and make each issue a 28-page standard instead of 22-page, which causes me to re-structure the financial framework and ensure the project remains within my financial means! Seeing as I am choosing to be jobless to see much of my projects through to the end this year, this additional cash flow arrangement demanded I really look at me commitment to the project, my willingness to believe in the final product, and my determination to persevere against the odds.

Close the Series

Finally, and most importantly, I decided to tell a CLOSED story that ends at issue #6 and complete the collected trade book as a stand alone origin story… because, well, I could never know if this series WOULD continue and that wouldn’t be fair to those who supported it, nor to me for all the work done thus far. Many creators have trouble letting things go, or changing things; this too proved to be a hard lesson in self-editing.

Ultimately, the BIG PICTURE needs to be kept in mind: The final goal of the big picture needs to be greater than individual elements.